Charlie Everywhere - As Far as i can see (playing at ground zero April 12th with slow six! ) Clare and the Reasons- Pluto St.Vincent- All my stars aligned Doves- Someday Soon Bright Eyes- The Center of the World Jeff Buckley - Halellujah Daylight's for the birds- To no one The Cinematic Underground- Work (Carparks and Cubicles) Son Lux - Raise Neva Dinova- Clouds (Brand new album out!) Why? - Simeon's Dilemma Colour Revolt- Elegant View Black Keys- All you ever wanted Camphor- Castaway Foxhole- Lamentation Cassettes Won't listen- The Finish line Strangers die everyday- Bicycle The Notwist- This Room DNTEL- Last Songs Cars and Trains- Further from home Mum - Marmalade Fires Saxon Shore- This shameless moment Bracken - Fight or flight Broken Social Scene- Cranley's gonna make it The Album leaf- Twenty two fourteen
these new puritans - numerology (aka numbers) neon neon - raquel autechre - the PLC lowfish - 999 ghislain poirier - no more blood feat. FACE-T (hudson mohawke remix) moby - alice - general midi remix boys noize - my head - para one remix daft punk - television rules the nation, cresdendolls, too long, steam machine, around the world, harder better faster stronger substantial - resurrection of the house party M.I.A. - paper planes - scottie b. remix b-52's - funplex - css remix ghostland observatory - dancing on my grave calvin harris - the girls - groove armada dub busy p - rainbow man delta 5 - mind your own business crysyal castles - untrust us mates of state - hoarding it for home los campesinos - death to los campesinos! the blow - pile of gold harry belefonte - matilda matilda mystery palace - stepchild 65daysofstatic - retreat! retreat! denali - everybody knows subtractive lad - decay as a lifestyle bitcrush - a false movement, true
sweet shows coming up: John Vanderslice @ MASS MOCA April 4th Jimmy Eat World @ the armory in albany April 28th Murder By Death @ Valentines April 2 (today) JR SR EMAC Exhibition @ The Arts Center (Downtown Troy) featuring some of my graphic design work as well as Blar's video work! Exhibition runs April 18 - May 6.
* M.I.A./Diplo - "Piracy Funds Terrorism Vol. 1" (all tracks by M.I.A. unless otherwise noted) - Galangton (Diplo Mix) - Galang - Two Bit Rhythm (M.I.A. Mix) [LL Cool J / Cavemen] - Fire Bam (Diplo Mix) - Fire Fire - One For The Headskirt [M.I.A. / Missy] - Amazon (Diplo Mix) - Definition Of A Roller [The Clipse] - Untitled [MIA / Cutty Ranks] - M.I.A. - You're Good (Diplo Mix) - Pop - Sunshowers (Diplo Mix) - Baile Funk One - Bucky Done Gun - Baile Funk Two - China Girl (Diplo Mix) - Baile Funk Three - Lady Killer (Diplo Mix) - U.R.A.Q.T. (Diplo Mix) - Bingo (Diplo Mix)
* Santogold - Shove It (Switch Remix) * 45 King vs. Pase Rock - The 900 Number (2k8) * Ghostface Killah - Charlie Brown (DJ Mehdi Remix feat. Mapei) * Blaqstarr - Shake It To The Ground (Self Evident vs. Dan Solo Refix) * The Count & Sinden feat. Kid Sister - Beeper (Detboi Remix) * 45 King vs. Wale - 126 Strings (Inflagranti Remix) * Art Whiplash - Quand tu reviens au petit matin * The Dance, Inc. - Matador (Frittenbude Zerkau Deinen Knebel Remix) * Flux Punx - Sound Check * L.A.H.E. - Bump In The Night (Thrills Remix) * Theatre of Disco - YOA (The Twelves Remix) * Revolver - Can't Stand (ZZZ Remix)
* edIT - Battling Go-Go Yubari in Downtown L.A. * Bangers & Cash - Loose * Spank Rock - Get It On The Floor * Eurythmics - Sweet Dreams (Chew Fu Refix feat. J-Cast & Substantial) * Juvelen - Hanna * Justice - DNVO (LA Riots Remix) * The AKAs - This Is The Way (Bird Peterson Remix) * Cut Copy - Far Away * Donzelle - Zebra Kiss (feat. Spoek) * SebastiAN - Head/Off (Faex Rework) * These New Puritans - Swords of Truth * TTC - Quand Je Claque des Doigts * Kanye West - Stronger (A-Trak Remix) * Boys Noize - Oh! (A-Trak Remix) * Paul McCartney - Temporary Secretary (Radioslave Edit) * Round Table Knights - Freak From Desire * Does It Offend You, Yeah? - We Are Rockstars * Mr. Miyagi - Pick Your Poison (Pfunkt Remix) * Mr. Flash - Champions * Wu Tang Clan - The Jump Off (Bird Peterson Remix) * Estelle - American Boy (Scuola Furano Fireworks and Tears Remix) * Yelle - Je Veux Te Voir (Disco D Remix)
I know I know.... this post and the next come a few weeks too late. But here they are all the same.
[artist - track]
* Vince Guaraldi - Linus and Lucy (Pocketknife's Hark the Holler Remix) * Bjork - Declare Independence (Mark Stent Mix) * Justice - tonics jurkin edit * Santogold - You'll Find a Way (Switch and Sinden Remix) * The Shoes - Knock Out (80Kidz Remix) * Nid & Sancy - M.U.S.I.C. (SymbolOne Remix) * Karin Strom - Silent Night * WSGM - Kids Vacation (80Kidz Remix) * Saigon - C'mon Baby (DJ Beware Remix) * Death From Above 1979 - Romantic Rights (Girls Are Short Remix) * Krames - Fuck You Pay Me (Krames Remix) * New Rave Kids On The Block - Strange Phenomenon * The Teenagers - Love No (Tepr Remix) * Midfield General - Disco Sirens (Them Jeans edit) * Joanna Newsom - The Book of Right On (Pocketknife's Scowling Owl Remix) * CFCF - How Bizarre * PNAU - Baby (Breakbot Remix) * Does It Offend You, Yeah? - We Are Rockstars * The Whip - muzzle no. 1 * Free Blood - Quick and Painful * Simian Mobile Disco - The Count * Ladytron - Seventeen * The Coconut Wireless - Get The Fuck Up * Santogold feat. Spank Rock - Shove It (Switch Remix) * Belleruche - Minor Swing
P.s. - You should def check out Belleruche, a London based trio comprised of a guitarist, vocalist, and DJ. Their debut album is titled "Turntable Soul Music" and is the dopest shit I've heard in a long long time...
Welsh septet (!) Los Campesinos! is one of many bands releasing their debut full-length in 2008 while attempting to deliver on a promising EP. Their brand of indie pop is full of shout-along verses and choruses as well as slightly out-of-the-ordinary instrumentation (glockenspiels and violins are prevalent in their songs). However, instead of distracting from the rest of the music, they serve as just two more pieces of the whole; each instrument (including vocals) assists in completing the songs and makes them more enjoyable.
One of the things I liked about last year's EP was how FUN it was. Every song made me want to jump around and dance like a maniac. Though the album is longer, most songs still have a similar effect. Single "My Year in Lists" exemplifies this quality; the drumming provides a solid beat and lyrics about the romantic implications of decorated stationary and the breaking of New Year's resolutions will make you laugh or at least crack a smile, guaranteed. The chorus also is one of the album's catchiest (employing the previously mentioned violin and glockenspiel to great effect; the chorus wouldn't be as memorable without them, though they hardly distract from the rest of the music). Another highlight is opener "Death to Los Campesinos!," whose lyrics I really love, speaking of being "better off with artificial intelligence" and "ctrl-alt-deleting your face with no reservation." This album isn't only new in sound, its lyrics are also contemporary, which I enjoy (if you read my last article, I'm somewhat tired of the obscene amount of new music that would have sounded just as comfortable in the 70s or another previous decade as they do today).
Indeed, one strong point of Los Campesinos! is their lyrics. Most bands often get lazy and sort of add lyrics as an after sight, but in LC!'s case, lyrics really add something to the song, usually a certain sort of giddiness and excitement (and they're clever to boot). It's obvious that the band pays more attention to writing lyrics than most bands (or else they're just naturally good at it). My personal favorite are in "We Are All Accelerated Readers," where they're about relationships, but in a cleverer (there's that word again) way. Instead of whining about breaking up, they ponder the point of entering relationships in the first place:
You should have built a statue And so I did of you But you were ungrateful and slightly offended at the dimensions of it You said you look less like the Venus de Milo And more like your mother in a straitjacket I think it's great that you're doing fine now, but enough is enough And I've had enough
It's a unique perspective for a pop song to take, which is pretty refreshing. Also in the song is favorite and probably soon-to-be frequently quoted lyric, "The opposite of true love is as follows - reality!"
There are a couple tracks I'm not too fond of, however: both "Knee Deep at ATP" and bonus track "2007, The Year Punk Broke (My Heart)" deviate from the Los Campesinos! norm by spending their duration building from quiet to loud, sparse instrumentation to a cacophony of sound (the former being the most obvious). I give them points for trying something different, but the music in both the songs is unremarkable, and I find the climaxes to be sort of, well, anti-climatic. However, "Knee Deep" has more excellent lyrics; "2007" is really the only song on the album that lacks in that department.
The 12 song album also has three songs from previous releases (including one of 2007's best songs, "You! Me! Dancing"). The three songs are all great, but I hope this doesn't mean the band is running out of ideas. I would hate to see their next release be a disappointment by being unoriginal because as the moment, Los Campesinos! is anything but; it's a hard task for a band to make music fun again in this day and age, but LC! are succeeding with frantic pop songs and lyrics to match. I'm sort of apprehensive about what will happen next, but that doesn't mean I won't enjoy this album in the meantime.
Rating: 9/12
Key Tracks: Death to Los Campesinos!, My Year in Lists, We Are All Accelerated Readers
Addendum: I'm in sort of a unique position to review this album; I heard the EP last year and played it literally all the time on my radio show, and now I'm studying in a country they tour in all the time (living near Wales and all). The album already came out here last month, but isn't out in the States until April 1. Judging by their huge rise of popularity over here since the album came out (selling out shows in small and midsized venues in the UK and Ireland), their upcoming U.S. tour should be a rousing success. I had the pleasure of seeing them live in Ireland and they were definitely a lot of fun. See them in NYC or Boston this May!
I got an extra 30 minutes because Emelie couldn't do her show..so i played a bunch of random stuff from the new bins..
Pre show
Crystal castles - Courtship dating Be your own pet- super soaked Don Cavalli- Agression Destroyer- Foam hands De novo dahl- Shout Devotchka- Basso profundo Pharmacy- Little toys on a shelf
Real show start
Charlie everywhere- Lucy's underground Mugison- I want you The Notwist- One with the freaks Forget Cassettes- Instruments of action A Northern Chorus- Rememberence day Ester Drang- Come back alive Marketa Irglova- The Hill (from the Once soundtrack) Neko case- Star Witness Cortney Tidwell- Our Time Son Lux- Stay (raving about this album below) Why?- Song for the sad assassin Cassettes won't listen- Paper float Unwed Sailor- Aurora Foxhole- The end of dying Colour Revolt- See it Plants and Animals- Bye Bye Bye Excepter - Kill People Autumns- Clem Margot and the Nuclear So and So's- Hello Vagina (b-side off the upcoming ' Animal! ' album) Neva Dinova- She can't change Montag- Hands off, creature! Radical face- Wrapped in piano strings M83- Couleurs This Will Destroy You- A three-legged workhorse
This Son lux album (At war with Walls and Mazes) is completely amazing. I can't say enough about the composition, technical aspects and emotion that this album has. The originality is really stunning as well. The blending of hip hop and classical elements with minimalist lyrics somehow all fit just right under Ryan Lott's careful hands. Many times during my first listen I remember saying to myself "what?? you can't do that" (especially in a song like "Raise" where a crunchy bass and scratched opera singing come out of nowhere on an otherwise docile track. Everything feels very deliberate, but very organic. The effects he uses start to make the music sound like it is going to break down and stop at any moment, and you start hoping "no! no! don't stop yet!" There are a bunch of unreleased songs on his myspace..so i'm crossing my fingers for an EP later on. Yet another homerun for Anticon this year...I thought Why?'s Alopecia was my top contender for album of the year, but Son Lux may have beaten them out for now..
It'll be a good time..im doing video and there is plenty of quality musics for them dancins
Blurb from their site: www.goodship.net
The Official Unofficial Troy Night Out Afterparty (presented by Goodship)
Friday, March 28, 2008 9 pm to 3 am Revolution Hall 425 River street, Troy, New York, 12180 Nominal fee
What, oh what, Would Goodship Do? First off, we would ask for fifteen cents every time you use that zinger - plus we would charge double if you turn such hotness into a tattoo (you get double the high fives, though). And then, just as a lark, we would probably do up one of those new fangled Official Unofficial Troy Night Out afterparties that the kids cannot stop talking about around the water bubbler (bubble, water - BUBBLE). Disengage that parking brake, junior - we are rolling backwards down the hill, careening towards fun. And, ironically, you just happen to be riding with fun (I know, right?). Well, and Joro-Boro and Pandemic Pete are riding shotgun, as it was in their awesome, awesome rider (mineral water? really?). And, as always, strapped to the top, is the usual collection of hoboes, malcontents, fire-spinners, jaywalkers, freemasons, and blithering idiots we call "regulars" - bless their bonnets and so forth. So I ask again: What Would Goodship Do? Well, we would of course hope you can make it, you old so-and-so.
beats:
Joro-Boro (The man, the myth, the mayhem - welcome back) Pandemic Pete (As if the aforementioned mayhem was not enough, now we have a freaking pandemic! Perfect.) face removal services (Touching the sky on a bimonthly basis, it seems) Dostoevsky's Pistols (Bulgarian themed RPI band with more members than the Brady Bunch) back from japan (The pastor of plastic beats and blastic... pleats?) jenkins (Got a blue medal at the fair - he still has not told us what it is about, though...)
pixels:
Blar (VJ for the last czar - yeah, you could call him "Rasputin") skfl (Couldn't get the sword from the stone, but he apparently got a pixel or two as consolation)
You can upload up to 12 songs and share it with friends. I'm sure there are other fancy places that do this..but this is a really stripped down interface with no annoying ads or anything...maybe I'll make use of this with future playlist reporting or something..here is my friend's playlist..it has one of my old bands songs on it, haha..how embarassing:
Hello, listeners of WRPI's fine indie programming! What follows is the first of hopefully more posts about new, exciting and original current music. The first volume of this series explains the appeal of one of contemporary music's most thrilling bands, We Versus the Shark.
So as a college student, I spend a lot of time on my computer listening to music. A copious amount of new music gets released every single week, so much in fact that it can become overwhelming to keep up with it all. Often times it becomes pretty easy to just play some old favorites (in my case, usually Pavement or Archers of Loaf) instead of sifting through the large amount of strikingly similar bands. Popular music among the indie crowd today includes a countless number of overhyped slow folk/70s revival dream pop artists such as Fleet Foxes, Bon Iver and Grand Archives (who started out promising but ended up kinda bland) and dance rock bands such as 90% of all up-and-coming artists in England (seriously, it's kind of ridiculous) trying to be the next Hot Chip or LCD Soundsystem. This can become frustrating to the average music listener, trying to differentiate seemingly hundreds of bands from the same genre. Why bother with music when it lacks originality, right?
Please do not fret, fellow music aficionados! I am here to tell you that not all hope is lost. There are still some bands creating unique styles of music, playing unique stuff that you've most likely never heard before. One band that exemplifies these qualities is Athens, GA four piece We Versus the Shark, and 2008 is shaping up to be their breakthrough year.
I first heard of this band through their 2005 debut album "Ruin Everything!," which is incredibly consistent throughout and is one of my personal favorite albums. It's hard to describe the music played on the album, but I'll do my best: chaotic yet controlled and tight. The musical chops of all four members are obvious throughout the release, from the technical and aggressive guitar work of Luke Fields and Samantha Paulsen to the tight rhythm section of bassist Jeff Tobias and drummer Scott Smith. Each song on the album goes through, at the least, several hooks which tend to vary in time signature. It's music to dance to (anyone who has seen me listen to it could attest to this) but mainly it's music to drop your jaw to. The precision and beauty in the madness is a wonder to behold, and the fact that all ten songs on the album are so engrossing makes it all the better. The band ended a two year silence in recorded material last year with the release of the EP of Bees EP (which listeners of my show may have heard from time to time), featuring four more songs in a similar vein to and just as excellent as the ten tracks that make up Ruin Everything!
Furthermore, the band kills it live. I had the pleasure of seeing We Versus the Shark in Boston and Albany last year, and was blown away both times. Both times, they failed to play any songs from Ruin Everything! and I was still left unable to competently describe the experience. From seeing them live, one can easily tell that this band just loves playing music and are thrilled to do so for an audience. All four members play off each other, which makes the band seem like a fluid, well-oiled machine. Basically, everything just seems so natural. Perhaps this is why Ruin Everything! and their soon-to-be-released full length, Dirty Versions, were both recorded live; a band this comfortable, this fluid and this good should just record an album by doing what they do best, that being playing music together as a unit and not separately.
Since I just mentioned their new album, let's talk about that now. I've been looking forward to We Versus the Shark's next full length since hearing Ruin Everything! a couple years ago, and the moment has finally arrived! Dirty Versions, the official follow up, will be released this April, and two new songs ("Hello Blood" and "I Am a Caffienated Corpse") are currently streaming on their myspace. There are several reasons for my excitement about the new album, one being that the music has a very sludgey, dirty (hence the name) feel that differs greatly from Ruin Everything! and another being that yes, these new songs sound so different from Ruin Everything! and are still amazing. One thing that always impresses me in a band is their ability to change their formula from album to album and still end up sounding great (which is why I love bands like Pavement and Modest Mouse). Clearly, We Versus the Shark possesses this quality, yet another reason why this is one exciting band to watch.
One new album not enough for you? We Versus the Shark has seen fit to release another album's worth of material throughout the course of 2008. The album, titled Murmurmur, will eventually consist of 12 songs, with one song released at the beginning of each month of the year. Bands covered so far have been very diverse, from January's choice of "Right Away" by Pattern Is Movement, February's choice of "Greatest Gift" by 80s noise rock band Scratch Acid, and March's choice of "Dirt in the Ground" by the one and only Tom Waits. Clearly, the band's influences run a pretty expansive gamut, which is indicative of their already established musical diversity. It will be exciting to see what else the band will come up with in the future, which is more than I can say for a good amount of bands playing music today. The songs from Murmurmur are free to download from donation-based Quote Unquote Records.
Next, here is a video of the song "Party Animal" (track 11 of the upcoming Dirty Versions) at CMJ 2007. This video showcases the previously mentioned qualities of their live show, as seen from the impromptu dancing at the 2:50 mark and the guitar/drums interplay starting at the 5:40 mark:
Finally, I'd be remiss not to mention other bands related to We Versus the Shark and their label, Hello Sir Records. So Many Dynamos, coming off of 2006's excellent album Flashlights (released by Hello Sir on vinyl), have finished recording their next full length, which should be released later this year. Judging by live performances of the new stuff, it will be just as good as, if not better than, Flashlights (anyone seeing the band at RPI's Ground Zero last fall can attest to this). I could write another story about these guys (maybe I will someday!). Another band to watch out for is Cinemechanica, fellow city and labelmates to We Versus the Shark. The follow-up to their guitar-heavy debut The Martial Arts should be out either later this year (the band states on their website that they were writing in January) or next year.
In conclusion, yes, music is still exciting.
Listen: We Versus the Shark "Slide" from Ruin Everything! mp3
Charlie Everywhere - Mouthful of diamonds The Cardigans - Erase- Rewind Vio/Mire- Wood Splitting Sufjan Stevens- John Wayne Gacy Jr. Annuals- Bleary Eyed Midlake- Young Bride Death Cab for Cutie- Tiny Vessels Emily Haines and the Soft Skeleton- Detective Daughter Son Lux - Weapons *favorite artist of the week!* Colour Revolt- Naked and Red Why?- Fatalist Palmistry Unwed Sailor- Little Wars Cassettes Won't Listen- Large Radio Autumns- Boys Fuck Buttons- Ribs Out Function- The Red Hook Overview A Whisper in the noise- In the dark Bright Eyes- Middleman Stars- Heart The Album Leaf- Always for you Styrofoam- Your eyes only Arovane- Tides Telefon Tel Aviv- Wha is was will never again Stars of the lid- The evil that never arrived
Peter Paggi- Murder ballad Ryan Jenkins- All my friends are dying Drewkelele- Serial Tickler Drewkelele- Heaven (cover) Byron hulcher- HIV song Andrew Eckel- Stream of consciousness Mamoona- All we are Dostoesvsky's pistols- Keep on Fight the pope- What if god was one of us Hot Gurl party- Erase U Pototsolatttj- Where are the mountains of yesteryear T-don- Jeff Goldblum On a scale of 1 to 10- Polka
Normal set (6pm):
Album Leaf- Belladonna Never- Searching and chasing Ghost Orchid- Ana Mir Neva Dinova- Did you disappoint your god? Beck- Everybody's gotta learn sometimes The Decemberists- The Engine Driver This will destroy you- The world is our __ Wesafari- Credit WHY?- These few presidents WHY?- The Hollows Colour Revolt- Moses of the south Brooke Waggoner- I am mine Sera Cahoone- You might as well She & him- why do you let me stay here A Weather- Spiders and snakes Beach house- Gila Murder by death- Fuego Mason proper- Friendship Strangers die everyday- Safer in the ground Art in Manila- Set the woods on fire Khoiba- Pure hands A Whisper in the noise- Silence Grizzly bear- Knife Le Loup- We are gods! We are wolves! Battles- SZ2
I just wanted to remind you that I won't be on the radio this week but I'll be back on Wednesday March 19th from 4-6pm. In the meantime check out some new music to our station.
On this, their first full length, Colour Revolt delivers on the promise of their 2006 self-titled EP, but only to a certain degree. They get some things right, but there is certainly room for improvement. For the most part, Colour Revolt do one of two things: create slowly building songs with a payoff of epic proportions, or they create songs full of tension that end before any sort of tipping point.
The first few songs follow the 'slowly building' model, starting with first single "Naked and Red" which, while not bad, seems to be missing a little something. The next track, "A Siren" starts similarly to "Naked and Red", but progresses in a different direction. Towards the end, guitar, bass and drums fire on all cylinders, creating a beautiful cacophony of sound that keeps building until all instrumentation stops. It seems a lot less calculated than "Naked and Red," and it's this that makes me believe it should have been chosen as the album's first single. Next, the haunting mood and slow stomp of "Elegant View" eventually veer into loud, unruly territory, full of abrasive guitar feedback and the occasional guitar riff reminiscent of 80s metal (to me, anyway). By the end of the track, the guitars sound absolutely exhausted (one of my personal favorite moments of the album). Indeed, the build up to aural assault is well-done on these two songs.
Most of the other tracks are filled with tension, and the best example of this is the track "Moses of the South." Repeated guitar strumming and a fluid rhythm section start off the song, and persist while various guitar feedback becomes introduced during its progression. It creates an eerie yet somehow endearing atmosphere, and it's the track I like the most. Other tracks towards the end of the album, such as "Innocent and All," do the same thing, but just aren't as memorable.
Final track "What Will Come of Us?" exercises an admirable amount of restraint, but doesn't work well as the closing track. After listening for the whole six-plus minutes, you sort of hope that something big is going to happen, but it never really does. Even though it's a disappointment in that way, I give them a lot of credit for this unorthodox method of closing the album. The band may have thought that it would be interesting to go against expectations and end with a slowly building but quieter song rather than with a slowly building but epic song.
Unfortunately, a lot of the tracks here are pretty mediocre and forgettable. "See It," which follows "A Siren" and "Elegant View," seems like an afterthought after those two powerful tracks. Unfortunately, several of the tracks on the album come off the same way; after listening to the album several times, I still can't recall what some of the songs even sound like (they sort of suffer from 'every song sounds the same' syndrome). Tracks like "See It" and "Swamp" aren't necessarily bad, but they're just sort of unremarkable compared to the obviously stronger tracks. Honestly, there just isn't much to love after the halfway point of the album.
Also, the album's not instrumental, but I don't feel compelled to mention lyrics or vocals at all. The lyrics are too trapped in traditional rhyming schemes (one main complaint I had with their EP as well) to be compelling and the vocals just sort of accentuate the tone of the song.
Rating? 4/10: There are some really strong songs here (as there were on the EP), but unfortunately there are also a lot of unforgettable songs as well, and nearly the whole second half of the album is completely forgettable. I still think the band shows potential to have a strong release someday, but this isn't it.
Incase anyone is interested in the news of RPI arts. Here is my blog post on the recent art department visiting artist Wafaa Bilal. His gallery showing was shut down because the campus replulicans think the arts department is "a terrorist safe haven".
Sunset Rubdown- The taming of the hands that came back to life Emily haines and the soft skeleton- Doctor Blind This will destroy you- There are some remedies worse than the disease Fleet Foxes- Drops in the river Gregor Samsa - Untitled #1 Joy Wants Eternity- Death is a door the opens WHY?- These Few Presidents Los Campesinos- Death to los campesinos Beach House- You come to me Brooke Waggoner- Fresh pair of eyes City and Colour- The death of me Jim White- Crash into the sun Plants and Animals- Lola Who? A Weather- Spiders and snakes Strangers die every day- Aperture for departure Ruby Suns- Tane Mahuta Colour Revolt- Mattresses Underwater Ester Drang- All the feeling Georgie James- More Lights Efterklang- Mirador The Velvet Teen- The Raining curtains Panda Bear- Comfy in Nautica Damiak- Extended Slide Japancakes- When you sleep
